I will miss you when you’re Gone
a comedy about sad things
Love never dies. | Death doesn’t end pain. | Mean people might just be really sad.
I will miss you when you’re gone
a comedy about sad things
written by Jessica Moss | directed by Adrian Prendergast
Celeste tries to contact her dead mother Theresa, but instead is haunted by Evelyn. Evelyn jumped off the top of her office building, run by Robin. Robin just wants to get these files in order, until the spirit of Theresa shows up. Is it an administrative filing error from the afterlife? Or can the living and the dead help each other find the connections they so desperately need? A “lonesome country song about grief and bureaucracy.”
Featuring Meghan Ames, Monica Domena, Karin Rogers, and Mariah Lee Squires
March 5-21, 2026
Thursday-Saturdays, 7:30 PM
Sundays, 2:00 PM
Industry Night - Monday, March 16, 7:30 PM
Theatre Off Jackson
409 7th Ave, Seattle WA 98104
Accessibility:
Captions will be offered at all performances.
Theatre Off Jackson is located in the basement of an early 20th century building. Wheelchair and mobility access is available through the back door - please make note of mobility access needs in your ticket purchase.
Co-produced by Theatre Off Jackson
Post-show gatherings and conversations
March 13, 2026
Destigmatizing Suicide: a conversation with Rebecca Vaux and Emma Mallonee from Forefront Suicide Prevention. Facilitated by director Adrian Prendergast.
March 15, 2026
Below the Belt - Destigmatizing Cervical Cancer and Grief: a conversation with survivor Selena Rushton, National Cervical Cancer Coalition and gynecologist Dr. Linda Eckert, MD, Harborview. Facilitated by artistic director Rebecca O’Neil.
March 21, 2026
Learn to Line Dance!: a closing night celebration with the cast and crew led by choreographer Sara Glauser. Facilitated by YOU!
People
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Jessica Moss
Playwright
Jessica writes, performs, and produces. Some of her plays include Instagirl (2023 Neukom Prize Winner), Funnie (2022 winner of the Leah Ryan's FEWW Prize, O'Neill finalist), Our Play (2023 winner of the Lanford Wilson award), A Girl Lives Alone (SafeWord New Play Contest winner), Cam Baby (Toronto Fringe New Play Winner, Weissberger finalist), Polly Polly (Ed Mirvish Award for Entrepreneurship), Next to Him, We'll Make it Together, and more. Training: Juilliard.
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Adrian Prendergast
Director
Adrian Prendergast (they/them) is a local theatre artist and graduate of Cornish College of the Arts.
Select directorial credits include: Wink (SJam Director's Festival), Minutes and Seconds (SJam Director's Festival), The Tipping Point (Infinity Box Theatre Project), and A Pond As Deep As Hell (Shaxberd).
Upcoming projects: Disappearance at the Rocky Mountain Leatherdyke Snowpicnic (Annex)
Cast
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Meghan Ames
Robin
Meghan is thrilled to work once again with The Shattered Glass Project. Previous roles include Madame [Carmilla, Shattered Glass], Beatrice [Much Ado, Vashon Rep], and LeFou [Beauty and the Beast, Centerstage]. Meghan is a member of UMO Ensemble, a podcast editor, and a circus artist. https://www.umo.org/ensemble -

Monica Domena
Celeste
This is Monica's first production with The Shattered Glass Project! This is also the once yearly time they leave their house, which is exciting too. You may have previously seen them in Edgar & Annabel with Pony World Theatre, or in various 14/48 productions. They want to send much love and thanks to their spouse, Shane Regan, for watching their terrible dog, Rod Serling, while Monica was doing all the fun stuff.
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Karin Rogers
Theresa
Karin is overjoyed to work with The Shattered Glass Project for the first time. She has been seen as Charlotte in On The Market and Sally in Good Morning, Bill with Burien Actors Theatre, and has appeared in several local short films. She has a particular interest in new works, and has participated in staged and table readings with Seattle Public Theater, Pacific Play Company, and Aspire Repertory Theatre. Love to Dennis and Oates.
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Mariah Lee Squires
Evelyn
Mariah Lee Squires’ recent credits include Greenstage: Much Ado About Nothing (Hero). SecondStory Rep: Doubt (Sister James). StrawShop: Minutes & Seconds (Bri). Reboot Theatre: Peter and the Starcatcher (Molly), Cabaret (Frenchie). Seattle Shakespeare Company: The Merry Wives of Windsor (Simple/Robin). Seattle Public Theater: Dry Land (Ashley/Ensemble). Dacha Theatre: Ghost Party Remastered (Regina Yaros). 🤟
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Sara Glauser
U/S: Celeste & Evelyn; Choreographer
Sara Glauser (US Celeste/Evelyn) is very grateful to be working in this show with these particular people! They are originally from Southern Utah and got their degree at Cornish in 2019. Most recently, they’ve worked with StrawShop, 14/48 Projects, SOAP, and Shaxberd Theater. Hoping to get comedy back on the map in Seattle, they are thrilled to be working on a show that proudly encompasses community and comedy all in one. Thank you to their friends, family and Mikey!
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Rhonda the Roomba
Rhonda the Roomba
Rhonda (she/her) is a proud graduate of RADA (Roomba Academy of Dramatic Art), thrilled to be making her Shattered Glass Project debut. Previous credits include: A Roomba With A View, Marvin's Roomba, Cat on a Hot Tin Roomba, Roombeo and Juliet, The Roomba Horror Picture Show, Fiddler on the Roomba, Moulin Roumba!, and Seussical. Much love to William and Lara. She hopes you enjoy the show.
Creative Team
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Rosie Arnesen (she/her)
Stage Manager
Rosie is thrilled to be a part of her first production with The Shattered Glass Project. A graduate of Western Washington University's theatre program, she now works as a stage manager throughout Seattle. Her recent projects include Greenstage's productions of A Midsummer Night's Dream and Taming of the Shrew, and in her time at WWU she enjoyed working on Hurricane Diane and The Great Gatsby. She appreciates life’s opportunities and the amazing people around her.
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Alicia Crowley
Scene, Properties and Set Dressing Design
Alicia Crowley is a Seattle-based artist and actor with backgrounds in drawing and painting, theatre, martial arts, dance, and home renovation. She holds a Bachelor of Arts with majors in Drama Performance and Interdisciplinary Visual Arts from the University of Washington. Alicia is delighted to collaborate on her second show with The Shattered Glass Project, and to contribute her creativity and hands-on skills to the Seattle premiere of I will miss you when you’re gone.
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Lilian Furlong (she/they)
Assistant Stage Manager & Dramaturg
Lilian is a recent Stage Management graduate from WWU and is thrilled to be working on her first project with TSGP. As a new arrival to the Seattle area she is over the moon to have such a rich show as her first project in the city. She is incredibly grateful to this team for the tremendous opportunity and to her loved ones for their endless support. Enjoy the show!
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Max Koh (they/them)
Sound Design
Max is thrilled to be working with The Shattered Glass Project for the first time! Max is a plume of star-stuff that made it's way to earth roughly 16,000 years ago. Up until a few decades ago, they were a weeping willow that allowed secret lovers to hide away. Now, Max is a Seattle-based Sound Designer, Playwright, Director, and up-and-coming Dungeons and Dragons Podcaster. Check out the Railroad Community Casters Club!
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William Kratz (he/him)
Roomba Designer
I build small machines, often made of Legos. I have played Oberon in A Midsummer Night's Dream, and Duke Orsino in Twelfth Night, both for my school. My mom occasionally works for The Shattered Glass Project, and we know the founder, so when I had an opportunity to help, I went for it. I also play D&D with friends at school.
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Sumer Monroe (she/they)
Lighting Design
Sumer Munroe is a recent transplant to Olympia. She is working to advance her career as a lighting designer after receiving their BFA in Theater from Southern Oregon University. This is her first production with The Shattered Glass Project. Recent productions include The How and The Why (Artemis Theatre Project), 17th Residency Performance (New Expressive Works), Ms. Holmes and Ms. Watson - APT 2B (Harlequin Productions) and Romeo and Juliet (Harlequin Productions).
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Ari Moore (he/she/they)
Costume Design
Ari has been pursuing costume design since 2021. They are passionate about a costume designer's responsibility to care for the actors while bringing their characters to life through clothing. As a long-time admirer of TSGP, Ari has been honored to be a part of I Will Miss You When You're Gone. In a show centering mental health, Ari hopes that their costumes will remind the audience that you can never really tell what someone is going through.
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Emmalee Stoddard (they/them)
Graphic Design
Emmalee is a Canadian Illustrator and Graphic Designer based in Seattle, WA having graduated from Cornish College of the Arts in 2025. Through their work, Emmalee explores conceptual ideas and use thematic research often grounded in language, history, and culture. Abstract exploration of concepts through illustration and typography is what drives them to create.
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Caelyn White
Captions Designer and Operator
Caelyn White (she/her) is a writer, stage manager, and all around theatre lover. This is her first production with Shattered Glass, as well as her first time working in captioning, and she is thrilled to help make theatre more accessible in any capacity she can. Support immigrants in your community. Abolish ICE.
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April Zhao (she/her)
Electrician
April Zhao is excited to make her first collaboration with Shattered Glass! April is a Seattle-based lighting/sound designer, director, and computer science professional. She graduated from the Claremont Colleges in California and has designed for productions including The Patient, Goodbye Mr. Loser, and Sorrow of Comedy in Seattle. She is excited to contribute to this production and to continue growing her creative practice in Seattle’s theater community.
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Rebecca O'Neil (she/her)
Production Manager
Rebecca is good at carrying boxes. She is thrilled to be producing her 4th Mainstage Production for The Shattered Glass Project. Thanks to Adrian for the great ideas; special love to Mom and Dad for the unconditional support and to Peter for his patience.
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Jonah Hillman (he/him)
Carpenter and Construction Manager
Jonah is very excited to be working on his first play with The Shattered Glass Project! Jonah is a theatre carpenter, union stagehand, and student at Seattle Central College. He has previously worked on plays with Seattle Central, Intiman Theatre, and Flooded Productions in Bellingham. Thanks to professor Shelley Douma for introducing him to TSGP, and to the amazing technicians and teachers at Seattle Central and Intiman, including Steve Coulter and Maridee Slater.
Community Engagement Partners
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Rebecca Vaux (she/her)
Panelist - March 13, 2026 Talkback “Destigmatizing Suicide”
Communications Director, Forefront Suicide Prevention
As Forefront’s Communications Director, Rebecca oversees the organization’s marketing, communications and outreach programs. Prior to joining Forefront, Rebecca co-founded and led a political advocacy group campaigning for public schools in Washington state. A UK native, Rebecca started her career in the British civil service before moving to Seattle, where she worked in tech, including stints at start-ups, Docusign, and Amazon, where she led worldwide customer service communications and business policy management.
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Emma Mallonée (she/her)
Panelist - March 13, 2026 Talkback “Destigmatizing Suicide”
Director of Programming, Forefront Suicide Prevention
Emma Mallonée is the Director of Programming for Forefront Suicide Prevention. Prior to joining Forefront, Emma worked at the Washington Poison Center conducting a statewide community needs assessment and providing community-informed recommendations for the organization’s public health strategy. She has also applied her public health skills in a wide range of settings, ranging from HIV test counseling in San Francisco to prenatal care and contraceptive education in Cochabamba, Bolivia. She is an advocate for community engagement in public health interventions and is passionate about transforming research into sustainable practice. Emma holds an MPH in Community-Oriented Public Health Practice from the University of Washington and a BA in International Studies from American University.
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Selena Rushton (she/her)
Panelist - March 15, 2026 Talkback “Addressing Cervical Cancer and Grief”
Pacific Northwest Chapter Leader, National Cervical Cancer Coalition
Selena is a survivor of metastatic cervical cancer. She says, “Since my diagnosis in 2016, I’ve beaten the odds and feel that research into why I have would be beneficial to save lives. Beyond cancer, I have an amazing series of life stories to share and this is just the beginning of a new life. I want to remind women that hope exists – never give up. Go for quality of life not quantity. Get your house in order today or leave it for someone else to define for you. It’s your choice. Your life. Trust your body and get annual exams. Get your children vaccinated – this disease does not have to take more lives.”
Visit the NCCC website at https://www.nccc-online.org/pacific-northwest-chapter/
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Dr. Linda Eckert (she/her)
Panelist - March 15, 2026 Talkback “Addressing Cervical Cancer and Grief”
Professor of Obstetrics & Gynecology and Adjunct Professor in Global Health, University of Washington
Dr. Linda Eckert is a board-certified OB/GYN. Primarily based at Harborview hospital for over 30 years, she has also cared for patients in Africa and Central America and spent 15 years as a consultant to the World Health Organization in cervical cancer prevention.
In January 2024, her first book, Enough: Because We Can Stop Cervical Cancer, was published by Cambridge University Press. Stories are both the centerpiece and the power of Enough. Told by survivors and families from six continents, these stories show more powerfully than any data the impact of cervical cancer on bodies, hearts and souls, families, and communities. Written in every day approachable language, readers will experience not only their heartbreak, but also their hope-filled passion and optimism. Through these stories we all come to understand what is allowing cervical cancer to continue to increase, but more importantly, what we can do to end it.